Storyboards

Storyboards

Below I have created a storyboard to be able to show visual ideas I have had for my production. From looking at the first page you will see I have included the use of close ups, over the shoulder and even a wide shot. As well as this, if you look at number six, you will see that one of the locations I will be using is a Park. The reason I have decided on this was because it seemed like a peaceful place for the two characters to meet when talking. 

When creating the storyboard, I tried to listen to the song so that I could get the timings on the different verses. The reason I have done this is so that I know what will be going on, and where I will be placing certain footage when I am in the editing process. Below you will see that I hope to get scenes 13-16 in from around 42 seconds to 1 minute. 

During these scenes I have tried to incorporate a subjective point of view shot to enable the viewer to see what the character can. Again I have also included a range of close ups but I have also tried to include a tracking shot when my female character is walking away down the driveway.

From looking at the screen shot below, you will be able to see where I have planned on including fades from the different scenes, but that I have also planned to add in some flashbacks. The reason I wanted to do this was to show that the characters were once happy, and as the song asks how to save a life, these shots could show the answer. 

Throughout the next few shots, the lighting of the scene is one of the most important things I need to look at as I will be filming as it starts to get dark and the only light source I will have will be street lights. It is here that a two shot will be used to show two of the characters in close proximity.

The last part of my production will be the main part, this is because the main focus will be on the male leads hand. For this, I want to try and match the action up to the last line of the song as it shows that the times ran out to be able to help the character. 

How To Save A Life Lyrics

Annotated Lyrics for How To Save A Life

Demi Lovato Skyscraper Analysis

Skyscraper Analysis

When the video first starts an establishing shot is used. By using this shot, you are shown a desert setting in which you then see Demi herself walking forward. A forward tracking shot is then used showing the camera at this stage in the video moving slowly towards Demi and she is walking towards it. As the video cuts to the next shot a close up of Demi is used, here you see here performing to the camera. One of the significant things here is her body language, this shows her to be quite upset. A medium shot is then used, first of all showing her to be looking down and then Demi looks up into the camera. An extreme close up is then used solely focusing on Demi's face.

Showing the heart to be centralised.

As this cuts you are shown another close up again showing Demi to be performing to the camera and this then cuts to a wide shot of the space showing a box with a heart in the middle of the screen. The camera is then focused on Demi and slowly moves to the right, the movement of which suggests the use of a pan. It then cuts again showing Demi on the left hand side of the screen, this shot is a medium shot, reverse track is then used moving out from her.

Low angle.

A low angle shot is then used showing the camera to be positioned on the floor with Demi looking down into it. This cuts to a close up of her looking forward into the camera, in this shot she is not performing the song. A medium shot is again used still showing her to be positioned on the left side of the screen. Again a reverse tracking shot is used, the camera here moves backwards slowly. Here you are also able to see the costume the singer is wearing, this is a white dress, with a white cardigan and sandals.

Again a close up is used showing Demi to be centralised, again it shows her to be looking into the camera. Zoom is then used as Demi slowly walks and as this happens the zoom becomes quicker and focuses in on her. A wide shot shows Demi to be stood away from the camera, however the shot is out of focus. This then cuts to the next shot showing a piece of cloth blowing across the camera obstructing the view. This is then followed by an extreme close up mainly focusing on her hand. The next shot then shows her to walk out of the space revealing the box with the heart in.

Use of a crane shot.

In the next shot a close up of Demi is used, this again shows her to be performing the song, but this then cuts to a shot of her looking into the camera. In the next shot a close up is used again, however this time she moves into the camera and then away again. The next shot is a reverse tracking shot with the camera positioned near the ground, here you see that she is walking towards broken glass. Following this a crane shot is used, this moves around Demi and allows her to move around the space she is in as the camera moves. This again switches back to a close up of her face.

A medium shot is then used with the main focus being Demi's hands, one of which is wrapped in her white cardigan. This then cuts, again to a medium shot, showing Demi to be centralised within the space but this time holding onto a frame where her head can now be seen. Focus pull is another technique used in the video, here Demi starts out of focus and then you are gradually able to see her, this is where she then walks towards the camera. As the video cuts again a close up is used, but during this shot Demi walks backwards away from the camera.

The next thing you see is Demi holding onto the lens of the camera, here she isn't in focus however the shot used is a close up. In the next shot a close up is again used but in this shot more of the background can be seen. Another crane shot is also used, moving from the right to the left side of the screen, this shows Demi to walk towards the camera. Her body language here is quite serious as it seems like she's going to get her point across.

The next shot is a medium close up, again she is positioned in the center of the screen. As she then moves backwards the camera also moves back. As this then cuts, a medium shot is used showing Demi to be stood back from the camera but here you see that there is something over the camera like a piece of material. The next shot used is a wide shot, here you see the glass that is on the floor but this time you see red spots which when first seen make you think of blood but it is hard to tell what it is. These spots then disappear.


In the next shot you see a close up of Demi's face. In this shot she is looking down, the body language here shows her to be looking sad. A medium close up is then used showing the musician to be moving around in the story space whilst performing the song, as the video then cuts to the next shot you see a close up of Demi's face and as the video progresses she turns away from the camera looking into the distance.

Close up of Demi.

A wide shot is again used, showing the broken glass in the foreground with Demi in the background out of focus. Here you also see her running after a bird. This then goes into a pan, starting from a long shot and moving round her. The next shot is a close up of the heart in the box, here you see the glass shatter. When the video next cuts, a close up is again used showing Demi to be holding onto the camera whilst looking into it. A pan is again used this time moving around Demi to the right showing her again to be performing. In the next shot you again see her walking backwards from the camera holding her white cover up above her.

Extreme close up.

A close up is again used. In this shot the main focus is Demi's feet, here you see her to be walking over the broken glass. This then cuts into a medium shot and again shows her to be performing. Focus pull is then used bringing Demi into focus and showing her to be looking intently into the camera. As it cuts again a medium long shot is used, this again shows her to be performing but you can also see the background around her. On the next cut an extreme close up is used, this focuses on her mouth and shoulder again showing her to perform.

Crane shot.

A tilt shot can be seen next, this lifts up above the cloth that is blowing in the wind, revealing Demi to be stood there with this material blowing out from her neck. A reverse track is then used, moving backwards only slightly, this shows Demi to be holding onto a square frame which held the glass that would be shown to be broken. A forward track is then seen, moving into Demi as she is singing the song, here you see her to hold up her hands and pull them back in. Then a crane shot is used moving up and over Demi.

As the video cuts into the next shot, you see Demi walking towards the camera whilst singing, this again cuts and cuts into a pan of the scene and its here that the music picks up again as she begins to sing. The next thing you see is an extreme close up of her eyes looking directly into the camera. This then cuts again and focuses on her hand showing off her tattoo of a cross. When it next cuts the shot is out of focus however Demi can be made out.

Crane shot - This screen shot was taken
 as the camera began to lift.

Reverse track is again used moving slowly. And in the next shot you see Demi to walk backwards. Cutting into a crane shot which becomes slightly raised when moving over Demi's face. Again a close up is used and in this case you see her body language to be upset and it looks as if she could cry. Moving slowly again a crane shot is used, in this shot Demi is positioned to the right hand side and you see as the camera lifts it makes her seem a little bit smaller in the space as the camera has gotten higher.

The use of reverse track - As the camera moves
back Demi's hands are the
 only features that can be seen until the shot goes
 out of focus before cutting to the next shot.

In the next few shots, the use of the focus creates a good effect when the video cuts into the next scene. The two shots that are used here are close ups of Demi again showing her to be performing the song. In the next shot the camera focuses on Demi from just above her nose to just above her chest. When it cuts again it goes into a medium close up showing her to be performing the song. Here you see her to hold her hands out to the camera and pull them down again, this again goes out of focus before it cuts. As the video cuts again a reverse tracking shot is used again, this camera moves back here as Demi lifts her hands while singing the word 'skyscraper'.

Horizontal tracking is then used moving from the left to the right, here as Demi is performing she has her hands held in the air and brings then down to her middle as she bends. The reason behind her body language here is due to the fact she is holding the word 'skyscraper'. This cuts to the sun and then back to a medium close up of Demi looking into the camera. In this shot she is positioned on the left hand side. In the next shot you are again shown the box with the heart in and you as the viewer can again see that the glass is smashed. A medium close up is then used again, showing Demi to be crouched due to her performance. In the next two shots close up of Demi are used and in these shots she is not performing the song.

The broken box.

The next few shots are edited together quite quickly going from a medium shot of Demi holding onto the frame to another medium shot of her this time out of focus but showing her with her hands up by her face for her to then brush her hair back. The next major shot is forward tracking shot and this moves into Demi making the sole focus her face as she sings. A shot of the heart in the broken box is again used possibly suggesting a broken heart. But when shown this you see a bit of the broken glass moving in the breeze that has been present throughout the video. As this then cuts the shot shows Demi to walk into the space where the only thing you could see was the empty frame. This shot is out of focus as it is shown and you see Demi disappear as she walks towards it. This effect would have been added during the editing process of the video.




As the music is now slowing down this is one of the last shots you see until it cuts into a close up of Demi stood looking into the camera. Here you see her positioned to the right. This later fades to black and is the last thing you see in the video.

Audience Research

Audience Research

By looking into what people want, I will be able to make more of a successful product than I would if I didn't take into consideration what people would like to see. As I have decided that I would like to make a music video, the questionnaire that I have produced asks relative questions so that I could find out what others like to see.

Below you will see the questionnaire I have created and just some of the feedback I have got.

Here are some of the things I have found out from looking at all of the answers I have got back. From looking at what the most popular genre of music is, I have found out that Pop music is preferred by the people asked. I have also found out that people would rather watch a narrative based music video than a performance based video, this could be because there is more of a story to the song the video is being made for, allowing the viewer to follow what is happening more easily. This ties in with question 6 where I asked if the music video should relate to the lyrics, the answer I got was Yes. However I then asked if a viewer would just watch a lyric video and the majority again said yes, from finding this out I will be able to evolve the ideas I have for my own music video and I could potentially use both lyrics and a video.

When asked the question of where would you watch a music video, the most common answer was on a computer or laptop, however other people that I have asked said they prefer to watch music videos on an other device, for example an Ipod. It was surprising to find out that a telly isn't used more commonly as there are many music channels available, however with websites like YouTube and Vevo its understandable as to why a computer may be used.

However, when asked what TV channel you would watch a music video on, the majority of people asked said MTV. When looking at MTV, I have found out that they have a number of channels which would potentially mean they would have a larger audience and they can target more viewers. 

Mind mapping

Mind Mapping: Initial Ideas

Below are some of the ideas I came up with before deciding on my final idea for my project. 

The first idea I had came when talking to two others in my class. For this, the three of us worked together to create an idea for Read All About It By Emile Sande, however the idea didn't work out and this is when I looked into my other ideas.

The second idea I put into a mind map was Clown By Emeli Sande. This idea came to me when listening to my ipod, so I first started by drafting a few ideas in a storyboard. Here you will see some of the things I came up with, however I didn't want to carry out this idea. 

I liked the idea of doing Count On Me as the song is quite light hearted whereas the other two weren't. When I was looking at basing my project around this song I looked at what I could have done with animation and flip books, however I realised this would be quite hard to do, so this is when I found my final song. 

When listening to How To Save A Life, ideas came to mind straight away, and again this allowed me to draft some ideas I had on a story board. Here you will see that I wanted to look at the lyrics to get more ideas which will help me a lot with the narrative as I will be able to break up the words to fit the action around them. 

Research Into Existing Products

Research Into Existing Products

Below are album covers that I have analysed.

Blake Shelton Footloose Analysis

Footloose Analysis

Originally performed by Kenny Loggins, the song Footloose was performed again by Blake Shelton for the 2011 film. For this Blake performs courtesy of Warner Bros Records and Warner Music Nashville.

When the video first starts an establishing shot is used showing a large screen in the background along with a load of cars parked up, from this you begin to get the idea that they are at a drive threw cinema. This then goes to a wide shot showing two cars parked up in front of the screen. Diegetic sound is used here, allowing us as viewers to hear what is being said in the movie being played on the screen.

Ambient sound is then used, here you can hear more cars coming to the cinema. The use of the sound of the cars in overlayed over a close up of an old man, showing him to then get up and walk out of the door. It is here that you find out he is in the ticket office as he comes out and says to Blake ' Hey the movies about to start'. With the use of dialogue you then hear Blake ask about the crowd that might of gathered, as he learns its quite scarce he says that he'll see if he can do anything about it, this hints to the action that might be to come.

Shows both Blake and the old man talking. 

Throughout this the use of two shots are used, showing both characters to be in a close space. As Blake is in his car, the older man has to stand closer allowing them to speak. The use of body language here is also important as it shows Blake to be smiling, this creates a positive atmosphere. A close up is used on Blake as he is driving off, this then goes into a crane shot and lifts from him to show the cinema again.

Shows the movie on the
 screen in the background.

Close up are then used showing the different people who are at the venue, this shows one man to be sat in his car, another to be climbing out and a girl who turns towards the camera. From this you then see the man who was sat in his car to get out holding a guitar, this then goes into a wide shot showing a man and a woman sat in their car watching the movie on the screen.

Screen in the back showing the movie exert.

A medium close up of a guitarist is then used, however this shot is out of focus which keeps the guitarist as a silhouette and it doesn't allow you to see the big screen clearly. As the music begins to kick in here, a close up showing a section of the guitar and the musicians hands is used, this then goes to a horizontal tracking shot, focusing on the drum set. It is after this that the first film exert is used, this shows the character Ren to be jumping from the bus. A close up of the figure in the foreground is then used, showing the film exert on the screen in the back, this figure is again a
silhouette and also out of focus.

Screenshot showing the character Ariel

A pan of the band is then used, moving from the left to the right, this then goes to an extreme close up of a foot tapping the floor, and again shows film exerts. The use of a wide shot is used here, showing the character Ren to be stood by an antiques store but looking into the camera. You are then shown the character Ariel stood in a parking lot, this is a medium close up, showing her at first to be on the right hand side, however tracking is then used, watching her walk across to the left. Focus pull is then used,showing the film clip to be in view while the figure couldn't be made out,

 as the focus is changed the figure appears and you learn that it's Blake.

Shows Blake to be positioned above the guitarist.

A low angle shot is then used again showing Blake to be in focus while the guitarist isn't, it also shows him to be positioned above this man, in this case he could be stood on the back of his truck. A wide shot is then used, showing a group of people to be sat and gathered around another truck, you see some of the girls heads move as if they are turning towards the music. With the use of seamless editing the video then goes into a pan again showing the band, it also shows Blake to be positioned higher than them again and this time you can see that he is in the truck. I think the reason this has been done is so that it is clear he is the artist.A horizontal tilt is then used, moving up to the face of one of the guitarists, from this you can also see that the background is out of focus and in this case the drum kit is the bit that's out of focus.

Blake Shelton. 

When the song first starts, Blake is seen. This has been done through the use of panning, going from the right to the left as he sings 'been working so hard'. As the song then carries on the video footage that follows changes on the beat, going from his band members to an exert from the film, this shows the character Ren to be with his Uncle. The shot that has been used was a wide shot, this then changes to a medium close up of Ren.

As the video progresses a shot of a band member is shown, this shows the camera to move to the left and straight back to the right as the beat drops. A close up of Blake is again used, showing him to be performing the song, this then switches to a pan, going from the right hand side to the left, this shows him from the chest up with him holding his hands out. As the pan goes left, it goes into a close up of two guitarists showing one to be stood on the back of the truck and the other to be stood just behind. The use of this shot allows the viewer to focus on the instrument.

Shot showing the musicians.

A crane shot is again used on Blake. The camera goes in on him and then back out again. As this happens Blake performs to the camera. A horizontal track is then used, going from Blake on the truck down the line of his musicians. When the camera changes position a tracking shot is used again coming in from the right and moving to the left. In the background you are then able to see the screen, here the film exerts consist of the character Ren in his car, these shots are close ups.

Here you can see the movie
 poster on the left hand side.

A wide shot is then used showing a group of people to be shown at the restaurant, these people can be seen looking through a window. On the left hand side a poster of the film can then be seen. Again film exerts are used, this clip is an over the shoulder shot showing the character Ren and Officer Herb. This then switches to a wide shot, showing the screen in the background but it also shows the crowd to be walking towards the music. A medium close up is then used and this shows the drummer of the song.

A close up of a boy and girl shows them both the be looking off into the distance and they then get up and walk away. The guitarist is again shown, this is done with the use of a close up focusing on the guitar and the mans hands. With the use of seamless editing, the video then goes into a crane shot, moving from the left over to the right, this shows Blake to be focusing on his guitar as well as the other guitarists.

A film exert of the character Ren.

A wide shot is then used, showing the screen once again in the background as well as all the cars that had gathered, however the main focus in this shot is the couple getting out of the car. A pan is then used, showing a woman to be looking out from the garage as if she was looking into the road, a film exert is then used showing Ren to be in his car making it look as if he drove past and looked at the woman.


In the next shot, Blake is again performing to the song, the lyrics you hear here are 'I'll hit the ceiling'. At this point in the video Blake is shown to be singing towards the camera, pointing up towards the sky as he sings these words.


A wide shot is then used showing a crowd to be gathered in doors, here you see then all dancing. This then goes into Blake singing again performing to the camera. Film exerts then become apparent here, showing Ren to arrive at school but also showing the characters Ariel and Rusty in the parking lot.

A medium close up of two of the guitarists has then been used, this again enables you to still see part of the screen in the background but the main focus is mainly on them. This then cuts to a crane shot showing Blake. Here he has his back to the camera but as he begins to turn around the camera lifts showing Blake and his surroundings of cars and people.

Screenshot of the character Ren.

Again film exerts are used this shows the character Ren in a warehouse, one shot that is used is a tracking shot, this shows him to be running up the stairs as the camera moves to the left. However in between this a shot of Blake is used, this shows a few people around his dancing but you also see that a focus pull is used as his face comes into view before the shot changes.

Screenshot showing the group that has gathered.

A medium close up then shows Blake to be moving from side to side in time with the music. With the use of a focus pull he is then kept in full view. A wide shot then shows Blake to be on his truck in the middle of the crowd with one of the guitarists on the left hand side looking into the camera. A film exert is then used here, this shows the character Ren looking out, this then cuts back to the video showing a group of people dancing, this goes from a wide shot to a close up focusing on one of the girls. This then cuts to a different group with the use of a medium shot. Here you
see the different people jumping around.

Shows the two film characters together. 

Again a medium close up of Blake is used showing him again performing to the camera. A cut is then used showing another exert from the film where the character Ariel is dancing, this then cuts into a pan of the out door cinema, showing Blake who is still stood on the back of his truck with a crowd gathered around him, however this time the crowd is bigger. A medium shot of him is again used, again showing him to be swaying with the music whilst singing. This then cuts to the film again, showing the characters Ren and Ariel to be dancing. The shot used here is a wide shot, showing the two main characters to be centralised in amongst others and their vehicles. This then goes into a close up of both of their faces and then to a close up of there hips, however here a vertical track is used and this follows their bodies down.
Forward tracking is then used, showing Ariel's father to be looking out of the window, however as he moves so does the camera. Still focusing on the film, a medium shot of the character Ariel is used, showing her turning round with a shocked expression on her face.



This then cuts back to the main video again showing the guitarists, here you can see the musician dancing to the song as he plays, the shot that accompanies this is a medium shot. This is then followed by a pan, showing the top of the drum kit and the drummers arm as he hits it. Again film exerts are used, this shows an over the shoulder shot, allowing the viewer to see Ariel looking across at something. As this cuts to the next shot you are shown a medium shot of the character Ren, here he looks to the left, this suggests both characters are looking at each other.

As the beat drops a close up of one of the guitarists face is shown, but as soon as the beat can be heard the video cuts to a medium close up of another of Blake's guitarists who is shown to be in the crowd. A crane shot is then used, once again showing Blake to be performing from the back of his truck. Here as the camera lifts Blake's gaze follows it, but as well as seeing this you are still able to see the crowd and the setting of the shot.

Close up.

As the video proceeds a close up is then used but this time showing the drummer. In this shot there is empty space on the right side of him and this is where the lighting starts to be used in the video.This then cuts to a close up of Blake's face, showing him to be positioned on the left side of the screen, from this you can see that the focus has been put onto him as the background can't be made out.

Allows you to see where the scene is taking place
even though the main focus is the two characters.

Film exerts are used here, this shows the characters to be at a race track setting the scene for the shots. For the scenes here, it shows the subjects moving in the space. When it first cuts you see close ups of legs, this then cuts into a shot of the two girls. On the next cut the subject is a car, here you see it moving out of the shot before the video cuts again, this time to a medium close up of the character Ariel. As it cuts again a pan is used, showing two of the characters to be inside of a lorry. From this shot the main focus is on the two characters, however you are still able to see a race car that is parked up beside it.

A reverse track is now used, this shows all of the cars parked up and all of the people gathered round. On the screen in the background you can see the character Ren and the other major focus in the shot is Blake. As this cuts, a guitarist and the drummer are shown, this cuts again and a group of people can be seen, however in this shot the lighting plays a big role. As this is coming from behind the people they become silhouettes and can only vaguely made out.

A screenshot of the character Ariel.

A crane shot is again used, this shows Blake on the left hand side of the screen. As the camera then moves off to the left the video cuts and a close up of the drummer can be seen, this then cuts again showing another of the guitarists in with the crowd. As it cuts again a close up of Blake is used, showing him to turn to face the camera. As he sings with words 'life aint passing you by' a film exert is then used showing the character Ariel to be stood in front of a train, this cuts to a medium shot of her with the trains lights lighting her up. This cuts as she closes her eyes going into a crane shot of Blake and the crowd around him, this then cuts again showing more of the film through the use of exerts.

A close up of the the guitar is again used as well as a medium close up of Blake, it then goes into a clip from the film. This shows the characters to be at a meeting and then proceeds to cut showing the characters Ariel and Rusty through the use of a medium shot. This then cuts to a close up of Blake and to a shot of the drummer, back to a crane shot and then to more film exerts. After this another crane shot is used, showing the camera to positioned high above Blake's head but showing him to be looking up. A film exert of the character Ren when he was in the warehouse is again used and this cuts to and from him and Blake.

Oppose the dance ban. 

When the video reaches 2.32 a focus pull is used. This starts by having the guitarist in focus and then pulls Blake in. As the video goes on it still flicks from Blake and the film until shots of the crowds are used showing them dancing. Here a mixture of shots are used showing dancers for the video as well as shots from the film. This again cuts to and from Blake and his guitarists until it cuts to a shot outside of a restaurant called Eat. The shot used here is a wide shot. The shot allows you as the viewer to see performers that were part of the music video, here you can see a group of people dancing, this continues with the next few shots until a film exert is used of the character Ren. With the use of a close up here you see him putting small cards into the lockers, here you are able to see that the cards read 'oppose the dance ban'.

The character Willard.

This again goes back to shots of the dancers and then to a close up of the drum kit and the guitar before again the use of film exerts are used. This shows the films characters Ren and Willard dancing in different locations, including Ren's garage, the school corridor, an office and a farm location.

As the video carries on there is a build up in the song, as this happens the cuts become more frequent, showing different shots of the musicians especially the drummer who becomes quite important here as the drum is the main instrument you can hear at the time. It is when this reaches its climax that a crane shot is used showing Blake. Here you see him turn towards the camera and open his arms out as he also walks forward this is when the camera lifts and cuts to another film exert showing the character Ren.

A reverse tracking shot is then used to show Blake surrounded by a crowd of people, as it changes it cuts to a medium shot of the two guitarists with the crowd behind them. A medium shot is then used again showing people to be dancing. These shots become important throughout this part of the video. This is also split between shots of Blake including a pan and a close up of him performing the song. The films exerts also play a large roll in this part of the video as you as the viewer now see footage of the final dance. The first time you see this the character Ren is the main focus of the long shot that has been used, here you the the character come into the shot from the right hand side. This then cuts to a shot of the dancers that have gathered at the outdoor cinema then back to the film exert again showing the use of a long shot.

Close up.

The next few shots that have been cut together are close ups of the feet of different people, these shots appear in the song where the lyric 'footloose' is repeated. This then cuts to a film exert which appears to be shot from a high angle over looking what is happening at the dance. In this shot you see the people gathered around the boy in the middle. This then cuts to a long shot of the dancer and then back to the performers for the video. The shot used here is a wide shot, this shows the performers in the space as well as the diner behind them. In this shot you see somebody do a black flip. This becomes significant in the next shot as the film
exert shows two of the films characters to do the same.

A focus pull on Blake is again used and the video again cuts to film exerts. Here the shots used are long shots which enables you as the viewer to see the actors in the story space as well as seeing what is going on around them. This then cuts again, this time to a medium close up of a girl and then to a crane shot of Blake. Again a medium close up is used, this shows the legs of someone stood dancing.

The video then cuts to a film exert, here you see the two characters Ren and Ariel from a high angle, this shows both characters to be dancing with each other. From watching the video it is sometimes easy to tell between the film exerts and the video footage as the costumes of the characters are different to the more modernised clothing of the performers in the video.

The last 25 seconds of the video consist of shots of the dancers, movie exerts, shots of Blake and his guitarist. Here you see a medium close up of the dancers with there hands in the air and confetti coming down around them as well as a pan, showing Blake to still be stood on the back of his truck but this time with his back to the camera, here you also see the confetti and the crowd that is still around him. This then cuts to a close up of Blake's face and as he turns away from the camera the screen fades to black.